The pop culture team drools over Alfonso Cuaron's latest, assesses what's going on with TV that is currently airing (or maybe not airing anymore), before talking about the newest nominees for the Rock and Roll Hall of Fame.
This week we tell you why Gravity was amazing. We talk about the directing, the story, Sandra Bullock and George Clooney, and the vastness of space.
We then move into talking about established television shows such as How I Met Your Mother and New Girl, shows that have debuted like Agents of S.H.I.E.L.D and Brooklyn Nine-Nine, and shows that have already kicked the can including We Are Men and Ironside.
We finish by going over the nominees for the Rock and Roll Hall of Fame and who might get in this year.
George Gittoes' exhibit at Light Work features photos mixed with painting and drawing to create a subtle yet intense atmosphere.
Photography can have a strong impact, and photos merged with other forms of art create a distinctive intensity.
George Gittoes and his Nothing is Enough exhibit for Light Work, which will be on display in the Robert B. Menschel Gallery in the Schine Student Center through Dec. 20, portrays the 1995 Kibeho Massacre in Rwanda. Though the bloody incident occurred nearly 20 years ago, Gittoes’ work makes the holocaust timeless.
Marna Bell's 'Imperfect Memories' exhibit at Light Work features black and white photography shot in an unconventional way to produce haunting results.
Memories haunt people. Marna Bell’s Imperfect Memories does the same and lingers in your head for days.
The exhibit is located in a quiet corner of the Community Darkrooms gallery at Light Work, and it consists of just 10 pieces. That’s all it takes.
The boys talk fall movies and what it means for the Oscar race, what in the heck was going on with Kanye West and Jimmy Kimmel, and who Esquire crowned as their Sexiest Woman Alive.
This week we go over some fall movies such as 12 Years a Slave,Gravity, and The Wolf of Wall Street and expand on what they mean in the bigger picture Oscar race.
We then re-hash the saga between Kanye West and Jimmy Kimmel, who came out on top, what exactly is going on in Kanye's head, and more.
We finish by discussing Esquire's Sexiest Woman Alive and other beautiful ladies out there.
The crew takes a look back at the legendary "Breaking Bad," talks about the Miley arc, and reviews Drake's new album in a more music-friendly pod this week.
This week we talk both about the finale and the overall scope of one of the great American television experiences, Breaking Bad (1:30).
We then try and explain/comprehend the new phenomenon that is Miley Cyrus (30:30). Hannah Montana doesn't live here anymore.
Finally, we talk about Drake's latest number 1 album, Nothing Was the Same (41:45) and finish off with our recommendations (48:25) for the week.
This week the boys discuss what they thought of "Prisoners," a look toward the future of dramas on TV, and what exactly was going on during the Emmys.
This week we talk about Prisoners (1:20), a new thriller from Academy-Award nominated director Denis Villeneuve, which stars Hugh Jackman and Jake Gyllenhaal.
We then move into a discussion of new dramas on TV (19:45) including Agents of S.H.I.E.L.D,The Blacklist, and Ironside, among others.
We finish by wrapping up our discussion of the Emmys (33:25).
'Kai Po Che!' which screened on Saturday at the Syracuse University Human Rights Film Festival, overuses montage and only skims the surface of its few merits.
What exactly should a montage do?
It can show a rise to power or a fall from grace, a humorous series of failures or a chain of successes. One thing it probably should not do, however, is perform most of the heavy lifting for a film’s central friendship or relationship.
The feeble middlebrow Bollywood drama Kai Po Che! didn’t get that memo.
'Intersexion,' which screened Saturday at the Syracuse University Human Rights Film Festival, contains elements that make for a good, moving story, but the subject would be better served in a form other than a documentary.
The problem with many advocacy documentaries is that not enough filmmakers ask themselves, “Does this need to be a movie?” The result is a number of well-meaning but inconsequential films whose messages would be just as well served by a TV special or an article.
'The Act of Killing,' which screened on Saturday at the Syracuse University Human Rights Film Festival, tells the story of a 1960s Indonesian death squad through some of Hollywood's most beloved genres.
The Act of Killing features one of the most striking openings of the year: a group of women dressed in pink emerge from the mouth of a fish-shaped building, while a man in black robes and another man in drag stand, arms raised, in front of a waterfall.
It’s a beguiling, haunting opening that would be memorably surreal in any film, let alone a documentary about genocide.
Muse House is produced by graduate students in the Goldring Arts Journalism program, with the aim of shining a brighter spotlight on the Syracuse and CNY arts and culture scene.
Hi. I am glad to see that someone else review blogged Dracula besides the Syracuse Newspaper. I was there and I loved it. I take adult ballet classes in Rochester but have also taken a years worth...
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