Review: The South Korean vampire flick is gorgeous, gory and carnal.
Park Chan-Wook, the filmmaker almost singlehandedly responsible for exporting South Korea’s manic, audacious brand of cinema to the States, flirted with the horror aesthetic for almost a decade before he made Thirst.
Piterbarg's directorial debut is a tense, engaging exploration of identity.
From the black of the first frame, there is a hum as the patient reveal of buzzing honeybees culminates with the replacement of a hive queen. The placidity and the sound build an anxiety in this opening sequence that sets the tone for the film. Someone is going to get stung.
In Everybody Has a Plan first time director Ana Piterbarg creates an engaging, swampy-noir thriller that balances an unhurried pace with a quickly unraveling lie.
Review: Haneke's Palme d'Or winning film successfully portrays the visceral and tragic sides of a husband's devotion.
Shocking and brutally honest is Michael Haneke’s new movie, Amour. Most of the film takes place in the Parisian apartment of an 80-year-old couple who has to face a hard situation: She suffered a stroke and the right side of her body was paralyzed.
Forget the long hours shooting, editing and writing the script. The hardest part of producing 'Sh*t Cuse Girls Say' was getting the stars to wear lipstick.
In the back room of Recess Coffee House & Roastery where no one could see, The NewsHouse stylist Angela Hu backed a young man into a corner and forcibly swiped a sheen of Revlon's Raspberry Bite lipstick across his mouth, despite multiple protests.
Review: Three day film festival illuminates important issues and gets the audience talking
We saw enemies coming together and standing side by side for the same cause. We identified with the people of San Francisco when a deadly virus claimed the lives of thousands in a once carefree community. We sympathized with the victims of displacement.